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American Women Authors and Literary Property 1822-1869

21.12.15
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American Women Authors and Literary Property, 1822-1869

American Women Authors and Literary Property, 1822-1869 by Melissa J. Homestead
Cambridge University Press; First Edition | October 17, 2005 | English | ISBN: 0521853826 | 286 pages | PDF | 2 MB

Through an exploration of women authorsengagements with copyright and married women property laws, American Women authors and Literary Property, 1822-1869, revises nineteenth-century American literary history, making womens authorship and copyright law central. Using case studies of five popular fiction writers Catharine Sedgwick, Harriet Beecher Stowe, Fanny Fern, Augusta Evans, and Mary Virginia Terhunee, Homestead shows how the convergence of copyright and coverture both fostered and constrained white womens agency as authors. Women authors exploited their status as nonproprietary subjects to advantage by adapting themselves to a copyright law that privileged readers access to literature over authors property rights. Homesteads inclusion of the Confederacy in this work sheds light on the centrality of copyright to nineteenth-century American nationalisms and on the strikingly different construction of author-reader relations under U.S. and Confederate copyright laws.
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